Highland Staff

Jun 152016
 

I am fascinated by the potential of hand tools, especially handplanes, for crafting fine work.  My high interest in hand tools is reflected in my summer woodworking reading list.

Paul Sellers’ Essential Woodworking Hand Tools is a thick and beautifully-presented compilation of information about all manner of hand tools.  I’ll start with this book for background on the full range of hand tools for the woodshop, their selection, preparation and use.

My interest in handplanes has led me to using wooden planes more and more and I’ve decided to build some of my own planes this year.  David Finck’s Making and Mastering Wood Planes details the construction of Krenov-style laminated planes and I look forward to studying that book and the companion two-DVD set.  I’ll also read John Whelan’s Making Traditional Wooden Planes, which describes how to make other styles and types of wooden planes.

John Wilson’s Making Wood Tools falls into a similar grouping and from this book I’ll learn about other types of wooden hand tools I can build for my own shop.

Finally, after all this reading about making tools I plan to read a couple of books about using them to create furniture: Tom Fidgen’s Unplugged Workshop and Simon James’ Working Wood 3.

I can hardly wait until I get to that cabin in the Maine woods.  I’m all stocked up and ready for lots of fun reading about hand tools and planning to build and use them.

Find more great Woodworking Books and Plans at the Highland Woodworking website.


Norm Reid is a woodworker, writer, and woodworking instructor living in Virginia’s Blue Ridge Mountains with his wife, a woodshop full of power and hand tools and five cats who think they are cabinetmaker’s assistants.  He is the author of Choosing and Using Handplanes: All You Need to Know to Get Started Planing by Hand.  He can be contacted at nreid@fcc.net.

Jun 062016
 

The new wall display in our retail store for showing off our ax inventory is now finished!

ax wall 2
The grid pattern of holes lets us easily alter the position of the custom wooden dowel pegs to accommodate just about every size of ax we offer.

A handsome mitered box with dovetailed key splines and a sliding lid neatly stores extra pegs.

ax wall pegs

ax wall peg box
Next time you’re in Atlanta, be sure to stop by and explore our offering of axes.

Hats off to Sam, our retail store manager for his ax display “vision”!

ax wall

Jun 032016
 

Morton and the new Tormek T-8

Do I look excited? You can see why! The brand new Tormek T-8 Sharpening System has arrived into my shop for a video review. I can’t wait to unbox this machine and check it out!

Some of the new features include:

  • Fully cast zinc body – including better tolerances especially for the guide posts
  • New Water Trough – the water tray can easily come on/off and go up/down
  • Magnetic Scraper – a magnetic scraper for the water tray should keep everything operating smoothly!
  • Cambered Blades – the new straight jig, SE-77 can slightly camber blades now.

Check back soon for a full video review!

Jun 022016
 

D810B-171

A common feature in colonial American houses and taverns was the pipe box.  A tall slender box, often featuring ornamentation on its top edges and sometimes incorporating a drawer for matches and sundries, it could hold a half dozen or so long-stemmed clay pipes ready for use.  I really like the looks of these pipe boxes and though I won’t use them for pipes, decided to make one for my home, and it looked to be a fun woodworking project.

If you check on Pinterest, you’ll find them in a variety of shapes and finishes.  Some were simple in design, others quite ornate.  Most older ones were painted.  I chose to make a fishtail design, a fairly common pattern with moderate ornamentation, that I obtained from Charles Neil’s Mastering Woodworking web site.

I began by resawing some curly maple boards to 1/4” thickness.  Then I made 1/8” plywood templates for the top and side pattern.  I traced the patterns onto the maple and cut out the top edges of the box on the scroll saw.  You could use a jig saw, turning saw or fret saw for this if you don’t have a scroll saw.  I then trace-coated the maple with General Finishes Medium Brown dye, sanded it to 120 grit, and repeated this trace coating process before sanding to 180 grit.  I sanded the end grain edges to 600 grit, smoothing the curves cut by the scroll saw as I did.

I decided to make my box without a drawer at the bottom.  I cut the parts to final length and assembled them with glue and pin nails.  Once the glue was dry, I applied a mixture of 3 parts General Finishes Medium Brown to 1 part Orange water-based dye.  When dry, I sprayed the piece with three coats of matte lacquer finish.  If you prefer, you could use a less expensive wood such as poplar and coat it with Milk Paint for an authentic period look.

Since we don’t smoke, we’ll use the box to display dried flowers.  It would make a nice gift or holiday project.  And, I’m told that these boxes can make good sellers in the craft marketplace.


Norm Reid is a woodworker, writer, and woodworking instructor living in Virginia’s Blue Ridge Mountains with his wife, a woodshop full of power and hand tools and five cats who think they are cabinetmaker’s assistants.  He is the author of Choosing and Using Handplanes: All You Need to Know to Get Started Planing by Hand.  He can be contacted at nreid@fcc.net.

Jun 012016
 

Return to the June 2016 issue of Wood News Online

May 252016
 

blog1I found a bench plane at a local antique store that caused visions depicting craftsmen effortlessly shaving paper thin curls with every stroke. In the real world, my experience with hand planes is limited to using a small block plane to make things worse. In my hands, a plane skitters, and chatters, tends to grab grain and rip out chunks of wood. But my father taught me that every fellow needs a plane to “shave a little off” – make things fit – like doors, and lids, and chair legs – just stuff that needs a bit of fitting. So I keep a small block plane, a gift from him, and I have learned to find creative ways of avoiding it.

The Stanley No.4 I found for 40 dollars was old and battered with scars on the loose wooden handles and a fine patina on the exposed metal. I bought it. Whatever. It can always sit on the shelf next to the chisels I use to sharpen pencils, a nod to skilled craftsmen across the decades and a tribute to the woodworking arts residing beyond my grasp.

I am sharing my experience because it was a process that left me facing in a different direction than expected, seeing my tools, my time, and my labors from a different perspective. I learned techniques, but I also learned what I can only describe as truths. I find truths to be the landmarks that guide our choices and ultimately our satisfaction. They are what we use to build techniques.

Truth Number 1: Tools ready to be sold are not always ready to be used and there is a huge difference between the two

Watching video after video of “how to set up your plane,” I learned about using sandpaper on a flat surface to true the sole, how to adjust the frog and lever cap, and how to position the chip breaker. I cut a pattern of thin stock to take the wobble out of the tote. These are techniques and as I applied them I found my attention drawn to the machining marks on the surface of my scroll saw. Would it be easier to use if the surface was slick and waxed? Could I more accurately cut along the line if there was less friction from the table? Yep! Tried it – proved it – truth. I ‘m still amazed by how much a little work to true and dress a tool can improve the way it works and compound your possibilities.

Truth Number 2: Knife-sharp won’t do it

All the googalizing to set up the plane led to sharpening the iron and I quickly discovered there are as many ways to sharpen a plane iron as there are people who claim to be experts on it. There are many techniques. The truth here lies in what we consider sharp and that a sharp tool makes the whole difference in how we use it and what we consider limitations.

I’ve always taken pride in my ability to put an edge on a knife. My father taught me. Few things bring a smile like the look on a friends face when I pass them my knife to use. They go, “Wow! This is sharp!” I shrug it off with “Meh…. it’ll do”. The truth I learned, is that “wow sharp” is not quite optimal for wood working. I learned that sharp for wood working lies way past dry shaving hair on your arm – it’s out there where you move slowly, carefully…. partly to preserve the edge and partly because it’s downright dangerous if you get sloppy. I think of it as scary sharp, and it completely changes how you use edged tools and the things you value most in your tool box.

Truth Number 3: Hand tool time warp

I’m a product of the machine age, I respect them as leverage to multiply our efficiencies. Machines are good and while I have deep respect for hand tools and the craftsmen who master them, I won’t hide my preference for a thickness planer over a bench plane for thinning stock. Much of my life has been consumed with finding a better, more efficient, more accurate way to do things – the technique, layout, order of operation – sometimes the tool. The truth I found nestled between hand tools and power tools is the measure of time. What does it really mean to feel “this is taking too long, there’s gotta be a better way…” Most of my mistakes happen in that seam where my mind is trying to find a faster solution.

The truth is that it is not impatience, it is not that hand tools are slower – they simply require me to embrace a different measure of time. Think of the time to crosscut four-quarter maple with a hand saw compared to a powered miter saw. How about the time to correct if you cut too long or not quite square? “Measure twice, cut once” has a different meaning in “hand tool time” because it takes so much more effort to correct mistakes with hand tools. I find my sketching and planning is much more thorough, I’m much more precise with my square, and I keep my tools much sharper because correcting mistakes has a different meaning on this different time scale. I’m even more careful with the wood, where and how I set pieces aside because it’s not just wood, it’s an investment of my best work, my steadiest strokes. The payoff is my patience and attention span is on the slower scale as well as my sense of accomplishment.

Truth Number 4: Simple satisfaction

I’ve always enjoyed making – building things. I find joy in the sense of accomplishment – the evolutionary nature of “why don’t I just make one” is a big deal to me. This plane and the journey it started has shifted that a bit. With the slower time scale of hand tools, I’ve discovered simple satisfaction in the “doing” instead of the completing. I actually find pleasure in a scary sharp chisel. I mean, building things is great, but now the process is filled with thousands of tiny moments of tools doing exactly what I want. Maybe I’m a simpleton, but I really appreciate the way a well trued and sharp tool works and the building thing, the objective goal, has become the bonus at the end of the process. A pass of the plane will make me smile, and the next one will again, and the next.

blog2This antique store bargain dates to the 1930’s, the internet dating thingy calls it a type 15 and the sweetheart logo on the iron agrees. All that combines to make the plane an interesting conversation piece, a trophy of sorts, but to me there’s a different meaning. Its age is representative of the craftsman who held it, used it. The iron is ground in a way to draw up the corners of the bevel, just slightly, like a shallow smile. This grind is intentional, not to gouge, but to smooth, to prevent the edges of the iron from leaving tracks in the wood and convinces me that over several generations, someone used this tool for more than shaving a little off to make it fit.

May 192016
 

I’ve always loved those man-on-the street interviews in the newspaper where they ask what’s your favorite meal? and what’s your favorite movie? kind of questions. I thought I would do one of those for this blog. The first concern was who to interview, and so for convenience sake, I decided to interview me. Reduces the burden of social interaction, don’t cha know. Plus they always asked those inane questions. So here goes — HW is Highland, and WW is Woodworker (me):

 

HW: Thank you for doing this. I know you don’t grant many interviews.

WW: Glad to do it. It makes it easier when you interview yourself and know what the questions are going to be. That way there are no surprises.

HW: So tell me about your shop.

WW: I built a new building about 8 years ago — 20 feet by 40 feet with a front porch, and moved all my tools from the basement. I really disliked always having to clean off the bench or saw to do the next task. My goal was to be able to use every tool without having to clean it off first.IMG_2202

HW: Did it work?

WW: You know it didn’t. Nobody can build a shop that big.

HW: What kind of stuff do you build?

WW: Well, duh — wood stuff. This is a woodworking blog. I like Shaker stuff the best. Traditional things that endure and will look good many years from now. Clever things are not much for me. You will never see me glue up a bunch of little blocks to turn a bowl for a checker pattern in the finished piece. That is just too clever. I like Shaker, small tables, bowls, and chairs. Lately I have gotten into Chris Schwarz’s “Campaign Furniture”.

Roorkee Chair from "Campaign Furniture".

Roorkee Chair from “Campaign Furniture”.

HW: Our son laughs about the roll top desk.

WW: He would. I’ve known him since he was very young and all three of us share the same sense of humor. The roll top desk is sitting around about 80% complete for the last 20 years or so and he is always asking when I intend to finish it. Well, I intend to finish it every day, but it never happens. It is the old saw about perfect getting in the way of done. My reach exceeds my grasp and the desk is not up to par and I can’t bear to throw it away.

HW: What about all the tools? Father’s Day must be a problem for him since you seem to have all the tools that cost less than $300.

WW: That is true – I do enjoy having all the tools. Goes back to my childhood when my Dad had to borrow tools. The worst is when you buy a new tool and then find the same tool in the shop never taken out of the box. I hate that.

HW: What is your favorite tool?

Block Plane

Block Plane

WW: Little block plane. To me one of the real joys of wood working is a tiny finishing touch like breaking an edge with the block plane. I fantasize about somebody finding an edge on one of my pieces fifty years hence and recognizing the little facets where I took the time to plane it instead of sanding it .

HW: What is the worst thing about your hobby?

WW. Does anybody like sanding? I despise it.

HW: New skills lately?

IMG_1822

Stool from “Campaign Furniture”.

WW: In the broad arc of wood working, I guess it would be chair making. The idea of making each piece of a chair to fit the previous work was a revelation to this engineer who spent his life drawing plans where you make each piece from the plans and then fit them all together at the end. Plus shaping a piece of wood freehand with a drawknife or a spokeshave was terribly liberating. I credit Mike Dunbar for that eye-opener. Lately, it has been leather work from Campaign Furniture which has been fun and different.

HW: What’s next?

WW: I always have a list of future projects. There is a plan for Jefferson’s Lap Desk floating around. I have had a set of boat plans for 30 years which will likely never get done. There’s a writing desk and a chair to be finished.

HW: Thanks for your thoughts.

WW: I enjoyed talking to you. We seem to enjoy many of the same things.

HW: Can I buy you lunch?

WW: Trying to figure how we can go together.